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Read the excerpt from Cristina Garcia’s Dreaming in Cuban. My father knew I understood more than I could say. He told me stories about Cuba after Columbus came. He said that the Spaniards wiped out more Indians with smallpox than with muskets. Which best describes an element of magic realism used by Garcia in this excerpt? She shows the close relationship that Pilar had with her father. She connects the events to the colonial history of Latin America. She is a modern writer developing a story about Spanish history. She characterizes Columbus’s discovery as an extraordinary event.

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Read the excerpt from Cristina Garcia’s Dreaming in Cuban. My father knew I understood more than I could say. He told me stories about Cuba after Columbus came. He said that the Spaniards wiped out more Indians with smallpox than with muskets. Which best describes an element of magic realism used by Garcia in this excerpt? She shows the close relationship that Pilar had with her father. She connects the events to the colonial history of Latin America. She is a modern writer developing a story about Spanish history. She characterizes Columbus’s discovery as an extraordinary event.

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Which is not an appropriate thesis for an essay comparing two texts about poverty in the United States? Garcia’s reliance on personal stories makes her argument less convincing than Engle’s. Engle combines testimony from social workers with economic statistics that date back to the 1920s to craft a more convincing argument than the one Garcia offers. Garcia and Engle are both experienced scholars who write about poverty and race in the United States. Although both Garcia and Engle agree that hunger in the United States has generally declined since the beginning of the twentieth century, Garcia’s use of personal stories makes for a more interesting and more readable article.

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Answer:

Henri Rousseau’s Portrait of a Woman

Explanation:

Magical Realism finds precedent in eighteenth-century Gothic novels, but also connects with sixteenth-century Baroque or Surrealism, almost contemporary in the early twentieth century.

Among the most striking features of this movement, we find the blend of realism with pure unreality that is observed as normal, with the integration of magical elements without seeming extraordinary.

These works do not explain the supernatural elements and are narrated as something natural, with characters unaware of their transcendent dimension. In addition, death has paramount value in the relativistic discourse of truth, with a metaphysical focus on space and time and an intimate atmosphere that blends characters with myths, legends, and natural cultures.

Henri Rousseau’s Portrait of a Woman is considered one of the first magical realistic stories.

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